Bluebird condenser microphone review
Sunday, March 29th, 2009This review is a sequel to my comparison of the Bluebird to the Shure SM58 dynamic microphone. I was so impressed with the microphone that I wanted to add more comments specific to the Bluebird.
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I’ll explain why in just a few lines, but what follows will be MP3s of the Bluebird condenser microphone and my trusty SM58 dynamic microphone in a studio setting that will let you decide for yourself if you agree with my conclusions. I came to the conclusion that the Bluebird has clearer sound for my vocals, which becomes especially important when mixing. But I’m still going to use my SM58 for live performance. And as I’ll explain, the disappointing sound that led me to purchase the Bluebird in the first place was mostly due to stuff other than the choice of microphone.
I used Gimp to understand and set the initial color palette for “Drummer and Graffiti”. The painting was loosely based on this photo.
As shown in the triangular color plot from Gimp, the bricks are toward the red end of the orange range (noted by the circle on the outer perimeter). The top edge of the triangle would indicate all black mixed with the red/orange. The circle inside the triangle just off the top edge indicates that the color of the bricks will be obtained by adding dark gray (or mostly black with some white) to the red/orange. This knowledge allowed me to quickly mix colors I liked.